C-Ride

These days, it’s hard to come by a rapper whose rhyming ability speaks for itself. For Miami MC C-Ride, there are no gimmicks or sideshow props in his lyrical hustle; his style, much like his name, stands out on its own. “This old school pimp I grew up with said I always made him want to jump in the car [when I rhymed] ‘cause I ride on the beat,” C-Ride explains, of his moniker. “The difference with me is that you can press play when you listen to a lot of rappers, but you’ll get a different bounce with me.” Growing up in the infamous Carol City neighborhood of Miami, C-Ride (born Christian Coates) came up like many teens raised in a broken home—he never knew which step would lead him in the right direction. With absentee parents, the Southern rapper relied on the support of his grandparents. But holding the reigns on a precocious, yet troublesome 17-year-old was a job in itself, and C-Ride found himself leaving the state of Florida in 2001, to live a life less drama-free in the ATL with his older brother.

Leaving his humble beginnings in Carol City was not just an answer to living a more honest life, it was an answer to C-Ride’s artistic ambitions. After having graduated high school at the tender age of 16 and no sights set on college, rapping became his study. Once in Atlanta, C-Ride put his story telling to the test alongside a friend’s rap group, weaving his rhymes in and out the group’s tracks. But once again, trouble landed right at Ride’s doorstep. “I had to leave everything that I had in Atlanta,” he states. “I had nothing when I came back [to Miami] but a CD that I had made in Atlanta with like six songs on it. So, I came back to Miami with that and nothing else.” C-Ride’s return to his hometown became a blessing in disguise in 2004. The rapper completed the CD he brought back with him and began a street movement with Wide Open—his first mixtape. After pressing up 1,000 copies, he began selling, and giving, his debut mix to anyone who would give his lyrics a listen. From flea markets to clubs, there was no stopping C-Ride’s hustle. “I always got good feedback, never negative,” says the MC. “So that made me want to pass [my mixtapes] out to anybody, I didn’t care if you were a DJ or a schoolteacher or a farmer. It didn’t matter. You needed to have my CD.” His grind was duly noted which earned the rapper a phone call from production duo Cool & Dre. The team had been looking for him for three months before a friend finally put them in touch. Ride’s standout material and unique flow caught Cool & Dre’s ears, as well as interest to sign the unsigned hype, but the duo needed to see what the rapper had to offer on the outside first. “In Miami, people have 8,000 gold teeth and a head full of dreads for no reason. Dre’s words were if I didn’t look like a monster, then he knew it was a done deal.” And so began the life and times of C-Ride under Cool & Dre’s tutelage.

Once the trio became acquainted, the three began looking for the “big dream,” as C-Ride calls it. Turning down deals from powerhouses like Sony and Universal proved to be beneficial for the Miami resident. While awaiting the “big dream,” Ride went into business for himself, as a CEO. Following the mixtape blueprint of friend and resident Miami DJ Ideal, the rapper created Stash House Music Group and released his sophomore mixtape hosted by DJ Ideal, Get Right Or Get Left, through his company’s funding. With orders still pending--7,000 sold to date—and the tape’s single “P-P-Pushin’” having made its way to the Save The Last Dance 2 Soundtrack, the businessman’s hustle is far from being stopped. Now at 23, C-Ride has achieved the “big dream” in more ways than one. Polo Grounds Music signed up the rapper when Ideal’s manager and label executive, Big Teach, couldn’t stop talking about the artist. PMG label head Bryan Leach took notice of C-Ride’s movement and immediately added him to the roster in Spring 2007. His label debut, The A-Rab Store, is underway as well as his first single, the Cool & Dre produced banger "Dat what it is" feat. multi-platinum artist The Game. With executive production credits also going to Cool & Dre, the album is set to be an encompassing listen. “Down here in Miami, whatever you need is in the Arab store-a toothbrush, cereal, a tire. My album is just that. If you need it now, whatever you need, whatever you want, whenever you need it, it’s gonna be right there.”

Listen to C-Ride Music Playlist


C-Ride Articles

Behind The Scenes at C-Ride

Behind The Scenes at C-Ride "Money Round Here" Video Shoot


News | Date: 2009-08-21
Recently C-Ride shot a video for his first single "Money Round Here" ft T-Pain. C-Ride had been on the grind for a minute and putting out mixtape after mixtape which lead him to get the attention of Super Producers Cool & Dre then to his deal with Polo Grounds/J Records with records like "Pushin" & ...
C-RIDE: AFTER THE DEAL

C-RIDE: AFTER THE DEAL


Interviews | Date: 2008-05-11
After grinding on the mixtape scene which lead him to linking up with Cool & Dre followed by inking a record deal with Bryan Leach (former VP of TVT) Polo Ground Music/J Records. I recently got in touch with C-Ride and talked about everything from his first single "Sittin On Da Porch" which I p ...
C-RIDE: PPPUSHIN

C-RIDE: PPPUSHIN


Interviews | Date: 2007-04-16
 24: First and foremost congratulations on the deal with J Records how does it feel finally having your hard work pay off? C-Ride: Well, it hasnt really pay off yet you know. Im still on ground zero and I have to work harder you show these big dogs what Im trying to do. Ill be happy ...
DJ Ideal & C-Ride

DJ Ideal & C-Ride


Reviews | Date: 0000-00-00
Artists: C-Ride/ DJ Ideal Mixtape: Coming From Da Bottom Vol.2 Review by: Jay Carter Back for more, C-Ride re-uped with DJ Ideal on Coming From Da Bottom Vol.2. On this mixtape C-Ride steps up his game from his lyrics, song concept’s (shown on Virgin Part 2) to the beat produc ...

C-RIDE: MEMBER OF THE EPIDEMIC FAMILY


News | Date: 0000-00-00
305DJ’s: What projects are you currently working on?C RIDE: I’m just recording for DJ’s right now as we speak. A lot of DJ’s ask me for shit everyday so I try to get that out.305DJ’s: How are DJ’s treating you as far as playing your music being a new, up-and-comi ...

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